Born in Passaic, New Jersey, Robert Smithson (1938 - 1973) is an artist who recalibrated the possibilities of art. At the same time, “Spiral Jetty” is also a Gorgoni aerial photo of itself in 1970 surrounded by pink and blue water. There is presently a good deal of impetus among proponents of New Wave art to deny sharing any aims with Minimalism. Smithson (1938-73) came of age in the 1960s when a flurry of knotty movements, ideas and adherences were gaining purchase – minimalism, land art, psychogeography, site-specific art, video art and more. Élargissez votre recherche dans Universalis. A pivotal figure in the evolution of post-war sculpture, Robert Smithson created iconic Land art that radically changed prevailing ideas about the making and viewing of art. The Legacy of a Pioneering Land Art Intervention in Utah. The work of Robert Smithson comes tightly wrapped in some ­unforgiving artistic concepts. At the John Weber gallery one day in 1976 I shoveled two tons of rock salt off the floor, filling several plastic barrels. Robert Smithson. Made with 6650 tons of black basalt rock and earth, the jetty would stretch 1500 feet straight out into the lake, then curl around itself, an elegant fiddlehead of mud, salt crystals, rocks, and water. Le Grand Lac Salé et le Lac de l'Utah actuels résultent de son assèchement à la fin de la dernière glaciation.1824-1825 Première exploration du Grand Lac Salé par Jim Bridger.1843 Première étude scientifique […] ICe >;<18x 110It21', ENTROPY ANDTHE NEW MONUMENTS (1966) On nsmg to my feet.anc p>> click to continue Brief essays Suggested essay topics and project ideas for a thousand splendid suns part of a detailed lesson plan by bookragscom. A loud abrasive buzzing bellows from the nightstand and I raise my head, only to be blinded by the red light emanating from the small—in size, not volume—machine against a backdrop of pure blackness. Erik VERHAGEN, Posted on 03 November 2020 by 03 November 2020 For over fifty years his work and ideas have influenced artists and thinkers, building the ground from which contemporary art has grown. When “Spiral Jetty” resurfaced in the early 2000s, it did so into an entirely different art historical moment, distant enough from its inception to be ripe for rediscovery, reinterpretation, and various forms of nostalgia — a sunken treasure that washed up, covered in crystals. 3  Arts Magazine (New York), Summer 1988, 99-104. ROBERT SMITHSON’S EXPERIMENTS IN ENTROPY Revisiting Smithson’s earthworks “Spiral Jetty” and “Partially Buried Woodshed,” which have dramatically changed 50 years later. humpty dumpty falls, but cannot be put back together again. ... Alison Sky, "Entropy Made Visible", On Site 4, Fall 1973, p 26-30; repr. cit. ... Smithson was also fascinated by entropy — a concept about decay that gained increased prominence during the middle part of the 20th century. Also, after about two years, it was swallowed up by the lake, where it stayed mostly submerged for the better part of the next three decades. Robert Smithson was a seminal American artist and writer known for pioneering the Land Art movement.His monumental earthen sculptures such as Spiral Jetty (1970), were inspired by the Minimalist work of his contemporaries, as well as geology, science fiction, and the concept of entropy. Les différentes expériences tant littéraires que plasticiennes de 1966 marquent la véritable amorce de la trajectoire fulgurante de l'artiste. I’m immediately beset by the eternal morning conflict: ten more minutes of sleep vs. the rush of adrenaline that wants to start the adventures that await. ROBERT SMITHSON: O.K. 4:00 A.M. Oy. Robert Smithson was born in Passaic, New Jersey, in 1938. While still attending high school in Clifton, New Jersey, during the mid 1950s, he attended art classes on the side in New York City. Someone anonymously wrote “MAY 4 KENT 70” onto the Woodshed’s buckling lintel, indelibly connecting the collapsing building to the turbulent political moment. Work from his oeuvre. S'appuyant sur une lecture souvent en décalage, pour ne pas dire en contradiction, avec la doxa théorique échafaudée par les artistes auxquels il se réfère, Smithson convoque des créateurs (Dan Flavin, Sol LeWitt, Don Judd) qui, selon lui, ont contribué à « neutraliser le mythe du progrès » et voient « le futur à reculons », corroborant ainsi le sentiment de l'écrivain cité par l'auteur, Wylie Sypher (1905-1987), pour qui « l'entropie, c'est l'évolution à l'envers ». Le land art est un mouvement historique né à la fin des années 1960 qui hérite souvent d'une esthétique minimaliste et qui, lié à une certaine compréhension du site, est caractérisé par l'utilisation de matériaux naturels, la terre et ses dérivés. La poetica di Robert Smithson si fonda sull’esperienza creativa nata nell’ambito dell’arte concettuale: il suo significato profondo, infatti, sta nel pensiero che la ispira e nell’idea che la modificazione del paesaggio sia l’opportunità per definire Amie Tullius is a New Mexico-based writer and art dealer. Working with unconventional materials including soil, rocks, disused industrial sites, and language, the artist explored the metaphorical qualities inherent in geological formations and the process of entropy. By accident or intent, the Partially Buried Woodshed was torn down to its foundation in 1984. “It’s many things. And people wanted to go see. Wednesday, 3 April 2013 . Robert Smithson. Smithson participe cette année-là à Primary Structures, exposition mythique du Jewish Museum de New [...], 1  Today, drought and water diversion have caused the lake’s shore to recede past the outermost edge of “Spiral Jetty,” and lower salinity in the north arm of the lake makes for water that’s still strangely pinkish but rarely the deep red Smithson found there in 1970. Currently the jetty is surrounded by salt flats with Great Salt Lake lapping at its outer edge. Amie Tullius. 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While he is most recognized for his earthworks, Smithson also created a large body of work that explored a variety of themes dealing with the post-industrial landscape, entropy, and paradox. His initial interests were in drawing and painting, which he studied at the Art Students League art school in New York. 2) has no direct correlation to a specific earthwork, yet it relates to other projects in his oeuvre and again illustrates how the artist used various mediums to synthesize the themes that interested him, including entropy and its effects on both natural and man-made elements. He said that in the ultimate future the universe will burn out into an all encompassing sameness. Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. e.g. Robert Smithson was a seminal American artist and writer known for pioneering the Land Art movement.His monumental earthen sculptures such as Spiral Jetty (1970), were inspired by the Minimalist work of his contemporaries, as well as geology, science fiction, and the concept of entropy. Entropy, it turns out, makes people uncomfortable. The artwork is noted as one of Smithson’s best. 5 Please consider supporting our journalism, and help keep our independent reporting free and accessible to all. there is a closed system which eventually deteriorates and starts to break down and there is no way of ever piecing it fully back together again. “Entropy, it turns out, makes people uncomfortable.” What a great insight for our present moment. robert smithson entropy and the new monuments. of Robert Smithson’s Sight –Non Sight. Qu’elles soient des Earthworks modifiant durablement le paysage ou qu’elles ressortissent davantage à l’art de l’éphémère, les œuvres du land art affrontent avec audace des sites naturels grandioses, à une échelle […] Distributed by Electronic Arts Intermix, New York). Le temps devient un lieu dépourvu de mouvement », écrit-il, afin de démontrer que les processus de transformation et de détérioration propres à l'entropie se concrétisent dans le temps. Robert Smithson gave several ambiguous statements concerning entropy and his intent for the work to mimic earthly attributes so that the elements are left to dissolve naturally which makes preservation process very complicated. Although published posthumously, Smithson and Sky completed the editing of the text together and Smithson provided all the illustrations.  : […] Built at the mouth of a terminal basin rich in minerals and nearly devoid of life, ​ Spiral Jetty ​is a testament to Smithson’s fascination with entropy. In 1980, museums around the world exhibited Robert Smithson Sculpture, which included large photographs of the Partially Buried Woodshed. For two years, he was enrolled at The Art Students League in New York and, for a briefer period, at The Brooklyn Museum School. 1 L’ouvrage Robert Smithson : mémoire et entropie se joue de l’intérêt de l’artiste pour l’inversion du temps. Lire la suite, L'artiste américain Robert Smithson (1938-1973) fut d'abord attiré par ce site situé sur la rive nord du Grand Lac Salé (Utah) à cause de la couleur très particulière de l'eau, d'un rose-orangé intense, due à la prolifération d'une algue marine à cet endroit du lac. More by Amie Tullius. GÉOLOGIE DE SPIRAL JETTY, DE ROBERT SMITHSON -, — 1800000- — 950000 Pléistocène inférieur, Rozel Point, Grand Lac Salé, Utah, (R. Smithson), UN TROU DANS LA VIE : ESSAIS SUR L'ART DEPUIS 1960, https://www.universalis.fr/encyclopedie/robert-smithson/, dictionnaire de l'Encyclopædia Universalis. It is completely encrusted in white crystals, it is barely visible under the water, its black rocks sinking into the expanse of salt and time, it is growing, diminishing, endlessly documented and continually changing. Ce premier volume d’études en français sur Robert Smithson débute en effet par un texte de Mel Bochner énonçant sa collaboration en 1966 avec celui qui … In January 1970, Ohio’s Kent State University authorized Smithson, then an artist in residence, to dump 20 truckloads of earth around and atop a decaying shed until its center beam cracked. © 2020 Encyclopædia Universalis France.Tous droits de propriété industrielle et intellectuelle réservés. […] Robert Smithson was a seminal American artist and writer known for pioneering the Land Art movement.His monumental earthen sculptures such as Spiral Jetty (1970), were inspired by the Minimalist work of his contemporaries, as well as geology, science fiction, and the concept of entropy. The month after Smithson finished construction of “Spiral Jetty,” in May of 1970, “Partially Buried Woodshed” was turned into its own kind of icon when, in a tragic turn of fate, the National Guard fired on and killed four student activists at Kent State. In an art context the term became popular in late 1960s New York when the artist Robert Smithson used the term entropy in reference to his contemporaries, the minimalist artists Donald Judd, Sol LeWitt, Dan Flavin and Larry Bell, whose highly simplified and static work he considered embodied the concept. Robert Smithson SELECTED INTERVIEWS WITH ROBERT SMITHSON Entropy Made Visible (1973) Interview with Alison Sky On Site #4, 1973. Smithson, lui, ne cesse de s'attacher à une temporalité. The latter quickly usurps the former as I realize today is September 25th, a day I’ve waited for my entire life (metaphorically speaking) and actually bee… Le paysage, dominé par l'immensité du […] Beat, Minimalism, New Wave and Robert Smithson Published in Arts Magazine, New York, Vol. An autodidact, Smithson's interests in travel, cartography, geology, architectural ruins, prehistory, philosophy, science-fiction, popular culture, and language spiral through his work. Enjoy the best Robert Smithson Quotes at BrainyQuote. Robert Smithson is most well known for his monumental earthwork Spiral Jetty, 1970, located in the Great Salt Lake, in Utah. Mar 8, 2012 - This Pin was discovered by Anne-Charlotte Beck. “The strata of the Earth is a jumbled museum,” he once mused. your own Pins on Pinterest I will have to revisit this in the future, although, for now, see below for what I think Louise Lawler has to say on the matter). Art World What the Present Owes to the Past: Why Robert Smithson and the Art of ’60s Remain So Vividly Present in Contemporary Art. RONJ\~D 1l~J\D~N, c'\'II'iI'~ 196. And that’s what Smithson was interested in, this inevitable rise into decline.”, Robert Smithson, “Partially Buried Woodshed” (1970), woodshed and 20 truckloads of earth (© Holt/Smithson Foundation, Licensed by VAGA at ARS, New York). Share with your friends. Travailler dans un environnement naturel ne signifie pas ipso facto faire du land art, comme on a trop souvent tendance à le croire aujourd'hui. Des événements comme l’exposition Mapping organisées par Robert Storr […] “‘Spiral Jetty’ is a complicated work,” says Le Feuvre. As arts communities around the world experience a time of challenge and change, accessible, independent reporting on these developments is more important than ever. Lire la suite, Dans le chapitre « Cartographie et art » Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist who used photography in relation to sculpture and land art. Smithson’s pencil drawing Shed with Asphalt (1970–71; fig. 56, No. “Spiral Jetty” became almost immediately iconic after Smithson presented the work to the art world through his film and then essay of the same name, and a series of aerial photographs by artist Gianfranco Gorgoni. « SMITHSON ROBERT - (1938-1973) », Encyclopædia Universalis [en ligne], Robert Smithson (1938–1973) was an American sculptor and writer associated with the Land Art movement. Sections of the old ruin were periodically tidied up and hauled off by groundskeepers, first after most of its left side was burned by an arsonist in 1978, and later after its center beam finally fully snapped in 1982. Robert Smithson Spiral Jetty, 1970 One of the most remarkable examples of Land art is Robert Smithson’s Spiral ... Lake also appealed to the artist’s long-standing preoccupation with entropy. In Smithson’s eyes entropy was the second law of thermodynamics, which exploits the range of energy by telling us that energy is easier lost than obtained. Become a member today », Robert Smithson, “Spiral Jetty” (1970), mud, precipitated salt crystals, rocks, water, 1,500 feet x 15 feet (Collection of Dia Art Foundation, photograph by Charles Uibel/Great Salt Lake Photography, © Holt/Smithson Foundation and Dia Art Foundation, Licensed by VAGA at ARS, New York). Parmi c […] Robert Smithson, “Partially Buried Woodshed” (1970), woodshed and twenty truckloads of earth (photograph by Nancy Holt c. 1980s, © Holt/Smithson Foundation, Licensed by VAGA at ARS, New York). Lire la suite, Indissociable de l’artiste américain Robert Smithson (1938-1973) dont elle fut l’épouse, la collaboratrice et la légataire veillant à la diffusion et à la préservation de son œuvre, Nancy Holt était aussi une artiste dont le travail, qui opère la jonction entre le land art et l’art écologique, n’a été reconnu que tardivement, lors d’une rétrospective produite en 2010 par l’université de Columbia. Architecture et entropie: la ruine moderne, une lecture subjective de l’architecture. Painted steel works such as Plunge (1966), Alogon #2 (1966), and Terminal (1966), employed industrial materials, geometric forms, and … “…Embodied in all of Smithson’s endeavors was his interest in entropy, mapping, paradox, language, landscape, popular culture, anthropology, and natural history. “Spiral Jetty” started to take on an even larger cultural significance as it came to hold the narratives, memories, and interpretations of people who’d built their own relationships to the work, and these days it’s often seen more through the lens of the picturesque by those who visit. (61) Robert Smithson, « Entropy made visible », The writings …, op. Next, I masking taped and boxed a number of mirrors, and then hauled the lot to the freight elevator. Nancy Holt first presents her installation work Holes of Light in a solo exhibition at the LoGiudice Gallery. 9, May 1981.Published in Arts Magazine, New York, Vol. 9, May 1981.. This year, in January, was also the 50th anniversary of another of the artist’s earthworks, “Partially Buried Woodshed.” Both works have changed dramatically since 1970 as they’ve been transformed by nature, culture, and time — which is what Smithson, who was captivated by entropy, wanted them to do. Its precarious location lends itself to the structure’s inevitable disintegration, yet its impressive size and deliberate shape command the surrounding landscape. He was fascinated by concepts of duality, entropy, and questions of how we might find our place in the world. Robert Smithson expressed a profound interest in the arts from an early age. ROBERT..SMITHSON:-THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS tklkc(cy l.oshlfCo~ London. In Rutherford, William Carlos Williams was Smithson’s pediatrician. …pour nos abonnés, l’article se compose de 5 pages. A pivotal figure in the evolution of post-war sculpture, Robert Smithson created iconic Land art that radically changed prevailing ideas about the making and viewing of art. In 1953, as a high-school student, he won a scholarship to the Art Students League of New York, where he studied in the evenings for the next two years, also taking classes at the Brooklyn Museum Art School in 1956. "Entropy and Dialectic: The Signatures of Robert Smithson." Robert Smithson, “Partially Buried Woodshed” (1970), woodshed and 20 truckloads of earth (© Holt/Smithson Foundation, Licensed by VAGA at ARS, New York) Just a … URL : https://www.universalis.fr/encyclopedie/robert-smithson/, Encyclopædia Universalis - Contact - Mentions légales - Consentement RGPD, Consulter le dictionnaire de l'Encyclopædia Universalis. La poetica di Robert Smithson si fonda sull’esperienza creativa nata nell’ambito dell’arte concettuale: il suo significato profondo, infatti, sta nel pensiero che la ispira e nell’idea che la modificazione del paesaggio sia l’opportunità per definire we'll begin with entropy. Revisiting Smithson’s earthworks “Spiral Jetty” and “Partially Buried Woodshed,” which have dramatically changed 50 years later. Quotations by Robert Smithson, American Artist, Born January 2, 1938. Robert Smithson (January 2, 1938 — July 20, 1973) was an American artist who used photography in relation to sculpture and land art.Smithson was born in … Shapiro, Gary. 56, No. L'essai Entropy and the New Monuments (L'Entropie et les nouveaux monuments), publié dans la revue Artforum de juin 1966, est le fruit de diverses excursions entreprises cette fois-ci avec Carl Andre, Michael Heizer, Robert Morris et Claes Oldenburg dans des sites industriels désaffectés. Just a few months later — three years before he died in a plane crash at age 35 — Smithson created the “Spiral Jetty” at Rozel Point on Utah’s Great Salt Lake. MY notes tell me I earn earned $30.00 and rock salt was selling for $22.00 a ton. Through his studies and training, Smithson became fascinated with the Abstract Expressionists, i… It was perceived to be in the remote “middle of nowhere” far from the center of the art world — New York City. Part one: Contemporary art – Project 3 -Place i So he’s not saying, ‘look at these beautiful vistas,’ he’s saying, ‘the water looks like meat gristle.’”, Still from Robert Smithson, “Spiral Jetty” (1970), digitized 16 mm film, 35 minutes (© Holt/Smithson Foundation, Licensed by VAGA at ARS, New York. She is the director of a contemporary art gallery in Santa Fe and feels very fortunate to spend her days engaged in conversations about art and... Beat, Minimalism, New Wave and Robert Smithson Published in Arts Magazine, New York, Vol. Early on, people didn’t often visit the jetty. As I wrote above, this project exit project will motivates Robert Smithson to realize a similar operation, this time with mud instead of asphalt and architecture in the place of the earth.
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